Friday, December 13, 2013

Where Do Great Ideas Come From? Neil Gaiman Explains

Gaiman,_Neil_(2007)
Neil Gaiman
by , Open Culture: http://www.openculture.com/2013/12/where-do-great-ideas-come-from-neil-gaiman-explains.html

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Every creative writer gets asked the question at least once at a social event with non-writers: “Where do you get your ideas?”

To the asker, writing is a dark art, full of mysteries only the initiated understand.

To the writer - as Neil Gaiman tells us in an essay on his website - the question misses the point and misjudges the writer’s task.

“Ideas aren’t the hard bit,” he says.

Creating believable people who do more or less what you tell them to is much harder. And hardest by far is the process of simply sitting down and putting one word after another to construct whatever it is you’re trying to build: making it interesting, making it new.

Sometimes hardest of all is the “simply sitting down” and writing when there’s nothing, no ideas. The work’s still got to get done, after all. Gaiman used to treat the question facetiously, answering with one of a few waggish and “not very funny” prepared answers.

But people kept asking, including the seven-year-old classmates of his daughter, and he decided to tell them the truth, “I make them up, out of my head.” It’s not the answer most wanted to hear, but it’s the truth.

As he inarguably shows, ideas are like opinions: “Everyone’s got an idea for a book, a movie, a story, a TV series.” And they can come from anywhere.

Gaiman, feeling that he owed his daughter’s classmates a thoughtful, detailed answer, responded with the below, which we’ve put into list form.
  • Ideas come from daydreaming. “The only difference between writers and other people,” says Gaiman, “is that we notice when we’re doing it.”
  • Ideas come from asking yourself simple questions, like “What if …?” (“you woke up with wings? … your sister turned into a mouse?), “If only …” (“a ghost would do my homework”) and “I wonder …” (“what she does when she’s alone”), etc … These questions, in turn, generate other questions.
  • Ideas are only starting points. You don’t have to figure out the plot. Plots “generate themselves” from “whatever the starting point is.”
  • Ideas can be people (“There’s a boy who wants to know about magic”); places (“There’s a castle at the end of time, which is the only place there is”); images (“A woman, sifting in a dark room filled with empty faces”).
  • Ideas can come from two things “that haven’t come together before” (“What would happen if a chair was bitten by a werewolf?).
Granted some of Gaiman’s examples may be more intriguing or fantastic than what you or I might propose, but anyone can do these exercises. The idea, however, is just the starting point.

“All fiction,” he writes, “is a process of imagining.” So what comes next? “Well,” says Gaiman, “then you write.” Yes, it is that simple, and that hard.

Tell us, readers, do you find any of Gaiman’s idea sources helpful? Where do you get your ideas?

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